VC03 (2021/2022)
rajt ma rajtx ... naf li rajt
Critical Essay by Elyse Tonna for Matthew Attard's exhibition: rajt ma rajtx ... naf li rajt (2021). VC03 is a book showcasing the 2021 exhibition programme of Valletta Contemporary with contributions by various authors/curators
SURA (2021)
KIN, who we are and where we belong (EN) / sura ta' nies (MT)
A book for SURA (2021). Stories and Poems by Clare Azzopardi. Contributions by Elyse Tonna, Glen Calleja and Lori Sauer. Translations by Albert Gatt. Photos by Giola Cassar. Proof-Reading by Claire Zerafa. Designed by Brendon Gauci
fuse (2021): collection of research and process-based articles related to the thematics and interventions by Elyse Tonna
A book for fuse (2021). Written by Elyse Tonna. Photos by Elisa von Brockdorff, Maria Galea, Rakel Vella and Elyse Tonna. Edited by Ann Dingli. Designed by Elyse Tonna and the Valletta Cultural Agency. Produced by the Valletta Cultural Agency
30@20: Looking Back Looking Forward (2021): Celebrating 30 Years The Mill Art, Culture and Crafts Centre
From the Archives: A reflection. and The Mill Today: A conversation February 2021
A book for 30@20 project by the Gabriel Caruana Foundation. Contributions by Raffaella Zammit, Dr Nikki Petroni, Elyse Tonna. Designed by Mighty Box Ltd.
ħaġarna (2019)
what is 'ħaġarna'?
A book for ħaġarna (2019). Contributions by Elyse Tonna, Dr Irene Biolchini, Prof. Vicki Ann Cremona, Dr Sandro Debono, Dr Marko Stamenkovic and introductions by Hon. Dr Ian Borg, Hon. Dr Owen Bonnici, Hon. Dr Justyne Caruana, Hon. Dr Anton Refalo, Nicoline Sagona, Joe Cordina and Dr Christian Zammit. Designed by Elyse Tonna
conviviality
Carnival and celebration
A project about the Carnival aspect of the area never materialised, and this theme became diffused along the lifespan of fuse. However, the theme remains an ode to the hard work, respect and welcoming nature of the carnival leaders and groups. Their members introduced my team and I to the various processes related to this tradition – a visual and cultural legacy that is so inherent to Maltese culture, but also very important to the communities of the Biċċerija area itself.
The research collected was still fundamental to the development of the whole project.
The people who gave their time to us taught me very important lessons related to respect, collaboration and understanding – to treat everyone as equal, to strive to work around limitations, and ultimately, to come together and work towards one goal.
These characteristics, which are present in every carnival organisation that has embraced all of our team throughout this process, have helped fuse develop and materialise into a project about a community, by a community, for a community.